This space is a digital archive to explore Dreaming Beyond AI’s second residency: Coalition Building in Times of AI. Dive into residents’ projects, mentors’ insights, highlights and fragments from our shared journey.
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Anasuya Sengupta is co-director and co-founder of Whose Knowledge?, a global multilingual campaign to centre the knowledges of marginalised communities online. She has led initiatives across the global South, and internationally for over 25 years, to collectively create feminist presents and futures of love, justice, and liberation. Anasuya is a co-founder and advisor to Numun Fund, advisor to the Flickr Foundation, the former Chief Grantmaking Officer at the Wikimedia Foundation, and the former Regional Program Director at the Global Fund for Women.
For the residency, Anasuya brings a multi-talented background as an educator, facilitator, artist, organiser, activist, and organisation leader. She offer frameworks around equity and justice in tech/AI, facilitation skills, design practices, and storytelling. Anasuya supports residents in structuring time, pedagogy, and designing from and for the margins.
Clemens is a cultural manager, researcher and mediator. He sees his work as building bridges between people, institutions and systems. Clemens strives to exercise his role in structures in a reflective manner and continuously question it. In doing so, he learns about queer-feminist and postcolonial discourses, as well as the complex relationship between humans, machines, animals, plants and the planet.
For the residency, Clemens took the role of the project manager at ifa - Institut für Auslandsbeziehungen. ifa has collaborated with Dreaming Beyond AI since its foundation.
Alla Popp is a digital media and performance artist from Kazan, Russia. Alla’s feminist gaze focuses on our shared visions of the future, the emancipatory potentials of digital technology, and narratives for the future of humanity. Formally, Alla works at the intersection of digital technology, performance, and music, devel-oping interactive digital formats and live experiences in VR, AR, XR, and on the web. Alla is part of the technologically advanced interdisciplinary music and performance project BBB_ and the dgtl fmnsm collective.
For the residency, allapopp contributes experience as a multimedia artist with collaborations across many institutions. alla share knowledge of project management, interdisciplinary art production, and digital storytelling. alla mentors residents in crystallizing key ideas, building teams, and navigating artistic visions within institutional frameworks.
Xin Xin is an artist currently making socially-engaged software that explores the possibilities of reshaping language and power relations. Through mediating, subverting, and innovating modes of social interaction in the digital space, Xin invites participants to relate to one another and experience togetherness in new and unfamiliar ways.
For the residency, Xin brings extensive experience as a tech justice organiser, academic, and foundation director. Xin is also a technologist who contributes deep knowledge of systems design, community-centric tech, and digital production. Xin inspires residents by offering examples of software development and supporting them to crystallize essential ideas and prioritize what matters most.
Ulla Heinrich (*1987) is a cultural mediator, curator, and cultural manager (MA). From 2015–18, Ulla worked at HELLERAU – European Center for the Arts as Head of Digital Communication, assistant to the intendant and head of special projects. As a music curator and booker, Heinrich previously organized concerts and open-air festivals and currently serves on juries for the Musikfonds and Initiative Musik. For the past 10 years, Ulla has been involved in projects and workshops on the topic of digitality and gender for young people, young adults and educational professionals. As a feminist activist, Ulla gives lectures on the topic and organizes educational events. Ulla is also initiator, curator and producer of the festival dgtl fmnsm, which takes place since 2016 and deals with the emancipatory potentials of technology from a queer-feminist and intersectional perspective. Since June 2019, Ulla is the managing director of Missy Magazine and lives in Berlin.
For the residency, Ulla brings their experience as creative producer, curator, artist, and magazine director,. They have been supporting the work and residency organising for Dreaming Beyond AI since the beginning, contributing wonderful energy and expertise to the production framework and beyond.
Nushin Yazdani is a transformation designer, artist, and AI design researcher working at the intersection of machine learning, design justice, and queer feminist practices.
At Superrr Lab, Nushin worked as a design researcher and project manager, developing feminist tech visions and policies. Nushin has lectured at Universität der Künste Berlin, Humboldt University, FH Nordwestschweiz, and others, and has been part of the queerfeminist collective dgtl fmnsm. Nushin is an EYEBEAM Fractal Fellow, a Landecker Democracy Fellow alum, and a member of the Design Justice Network. Nushin is currently completing a Master’s in Science and Technology Studies in Vienna and Taipei, focusing on data worker struggles and AI impersonation.
For Dreaming Beyond AI, Nushin heads creative direction, and works on concept development and curation.
For the residency, Nushin is part of the organising team, with focus on the role of project manager and creative producer. This involves the joyful task of creating the organisational framework of the residency, the call for applications and setting up jury sessions, but also writing many reminder emails, being a sous chef, cleaning common rooms late at night and being very tired. Nushin is bringing experience as curator, artist and facilitator into this process.
Sarah is a multi-passionate consultant, a Black Joy preacher and a Nap ambassador.
The driving interests foundational to her work are Black feminism, intersectional justice as well as collective dreaming. She is Lisbon-based and consults for a diverse range of organisations worldwide. Most recently, she was a guest professor for International Masters Students at the Burgundy University, a Communications consultant for the Black Feminist Fund and served as the Board co-chair of the Digital Freedom Fund.
For Dreaming Beyond AI, Sarah leads Communications.
For the residency, Sarah serves as communications lead, facilitating conversations, capturing content, and recording archives of the residency happenings, as well as documenting behind-the-scenes moments.
Iyo Bisseck is a multidisciplinary artist, interaction designer, and programmer. Their artistic practice combines immersive digital environments, sculptural installations, animated images, and video games. Through their work as a website designer, she also supports many initiatives to own their digital archive.
For Dreaming Beyond AI, Iyo has created the web design and undertook the technical realization of the platform.
For the residency, Iyo is part of the organising team, contributing to the curation of the theme and bringing experience as an artist, programmer, and interaction designer. Iyo integrates the residents’ online work and creates the website for the archive.
biarritzzz (1994, Fortaleza, lives and works in Recife, Brazil) is an anti-disciplinary transmedia artist who investigates languages, codes and media. She believes that magic and low resolution are important counter narratives to live the current cosmological dispute of realities. She has exhibited in MAM Rio, Museum of Tomorrow, Kunsthall Trondheim, State Of Concept Athens, Delfina Foundation, Satellite platform (Pivô), A.I.R Gallery, Centro Cultural São Paulo, The Wrong Biennale, FILE, The Shed NY, among others. Her works are part of the Rhizome Artbase (New Museum), KADIST Foundation and Instituto Moreira Salles digital collections. She was a 2023 and 2024 PIPA Award nominee.
biarritzzz, in I THINK THIS IS FAKE, presents a triptych of videos in English, Portuguese, and Spanish. Each is built from user comments about AI, whether as a joke, a fear, or an act of subversion, transformed into lyrics for AI-generated songs and AI-generated music. As part of the long-term research Meme Pedagogics, the work links Paulo Freire’s pedagogy with pop culture and memetic creation, while questioning how even humor and subjectivity are captured by Big Tech.
Mac Andre Arboleda is an artist interested in exploring the sickness of the Internet through research and dialogue, art and text, organizing and publishing. Born in Makati and raised in San Pedro, Philippines, their past lives include leading organizations such as the UP Internet Freedom Network and the Artists for Digital Rights Network, co-organizing events such as Zine Orgy and Munzinelupa, and scheming with artist collective Magpies Press. They have completed residencies under Beta x transmediale, Digital Solitude, and the ESRC Digital Good Network. A recipient of the 2024 Judson-Morrissey Excellence in New Media Award, they've previously studied in Austria, Denmark, and Poland under an Erasmus Mundus Scholarship.
During the residency, Mac developed "I Grew Up in a Click Farm", an ongoing investigation into the infrastructures, capacities and consequences of Philippine digital labor. The title twists a quote from fraudster and fugitive Alice Guo, a Philippine mayor and multibillionaire whose work is tied to Philippine offshore gaming operators and scam hubs in the region. Drawing on collective reading groups in Berlin and Vienna, the project "I Grew Up in a Click Farm" glitches the spreadsheet to produce a busy city of hyperlinks, overworked with stories and struggles mapping how digital capitalism exploits workers and how communities resist it.
Maithu Bùi (b. 1991, Plauen) explores networks of human intervention and their entanglements with life forms at the intersection of collective history, science, and technology. They studied Philosophy of Language and Logic at LMU Munich and Fine Arts at UdK Berlin. Bùi co-founded the research collective Curating through Conflict with Care (CCC) and the working group art+computation at the Gesellschaft für Informatik. They are a 2024 Human Machine Fellow at Akademie der Künste, and a 2025 recipient of the Stiftung Kunstfond stipend
Maithu Bùi works with border technologies, tracing a line from military fields to AI-driven surveillance at Europe’s frontiers. During the residency Maithu continued their research project fromBattlefields toRoborders (2020-ongoing). Echoing lawyer and anthropologist Petra Molnar’s reminder that “borders are violent, yet also spaces of resistance and solidarity,” the project engages storytelling as an act of stewardship rather than spectacle, holding space for those silenced or unheard within regimes of control.
Zainab Aliyu is a Nigerian-American artist, designer and cultural worker living in Lenapehoking (Brooklyn, NY). Her work explores how sociotechnological systems of control are interconnected and how we are materially implicated through time. Drawing upon her body as a corporeal archive as a site of ancestral memory, she crafts counter-narratives through sculptures, videos, installations, virtual environments, and social practice. Zai is a 2023-24 NYSCA/NYFA Artist Fellow and co-director of the School for Poetic Computation. Her work has been shown internationally, and she has completed residencies and received grants for her work.
AncestryandMe: DNA Processing Kit counters the colonial and capitalist legacies of biometric surveillance. Unlike commercial DNA kits that focus on quantitative data, this community resource offers a reflective and critical exploration of ancestry, supporting individuals in confronting the emotional complexities of unearthing ancestral histories. It empowers communities to resist biometric surveillance, providing tools for community dialogue around more ethical uses of technology and inviting participants to reflect on their role as future ancestors within a framework of shared resistance.
For our second-ever residency Coalition Building in Times of AI – Intersecting Struggles, we curated an hybrid journey consisting of mostly digital time and 10 in-person days in the periphery of Barcelona, Spain.
We were able to intentionally share time and space with our incredible residents, beloved mentors and a wider community of comrades.
Curating this residency has opened up space for urgent and tender questions:
🏃 How do we embrace slowness in moments of urgency? 💌 How can technology help keep our communities afloat? 🌀 What do we need in order to build and sustain long-lasting coalitions?
To nurture these reflections, we were fortunate to count on allapopp, Anasuya Sengupta, and Xin Xin as mentors who shared with us their knowledge, practices, and experiences with great generosity. Beyond the ten days we spent together in person, the residency was not anchored in a single physical place: it took shape instead as a relational infrastructure, built through dialogue, transmission, and collective learning.
allapopp – allapopp is a Berlin-based interdisciplinary digital media and performance artist, originally from Tatarstan in Russia. allapopp’s work fuses post soviet, mixed tatar, komi, queer & migrant exploration with tech-inclusive envisioning, and formally operates within the domains of digital art, performance and sound, interactive live phygital formats and experiences in XR and web. allapopp is the co-founder of the TATAR KYZ:LAR and BBB_ music and performance projects and is a part of the dgtl fmnsm collective.
Anasuya Sengupta is co-director and co-founder of Whose Knowledge?, a global multilingual campaign to centre the knowledges of marginalised communities online. She has led initiatives across the Global South, and internationally for over 25 years, to collectively create feminist presents and futures of love, justice, and liberation. Anasuya is a co-founder and advisor to Numun Fund, advisor to the Flickr Foundation, the former Chief Grantmaking Officer at the Wikimedia Foundation, and the former Regional Program Director at the Global Fund for Women.
Xin Xin is an artist currently making socially-engaged software that explores the possibilities of reshaping language and power relations, as well as Processing Foundation's Co-Executive Director. As creator of TogetherNet and co-curator of the Critical Coding Cookbook, Xin facilitates consensus and social engagement in digital spaces. Through mediating, subverting, and innovating modes of social interaction in the digital space, Xin invites participants to relate to one another and experience togetherness in new and unfamiliar ways.
After taking time to get to know each other, we revisited the applications together and selected four residents: Zainab Aliyu, Mac Andre Arboleda, Maithu Bùi and biarritzzz. The selection process was not necessarily easy, as we received many strong and thoughtful applications. In the end, the jury chose participants whose practices, across different methods and geographies, confront the everyday violences of technology: the capture of our voices and memes, the exploitation of labor, the policing of bodies and borders, and the commodification of ancestry.
biarritzzz, in I THINK THIS IS FAKE, presents a triptych of videos in English, Portuguese, and Spanish. Each is built from user comments about AI, whether as a joke, a fear, or an act of subversion, transformed into lyrics for AI-generated songs. As part of the long-term research Meme Pedagogics, the work links Paulo Freire’s pedagogy with pop culture and memetic creation, while questioning how even humor and subjectivity are captured by Big Tech.
Mac Andre Arboleda, in I Grew Up in a Click Farm, expands an ongoing investigation into the infrastructures of Philippine digital labor. Drawing on collective reading groups in Berlin and Vienna, the project turns the spreadsheet into a dense and restless city of links, stories, and struggles mapping how digital capitalism exploits workers and how communities resist it.
Maithu Bùi works with border technologies, tracing a line from military fields to AI-driven surveillance at Europe’s frontiers. Echoing Petra Molnar’s reminder that “borders are violent, yet also spaces of resistance and solidarity,” the project engages storytelling as an act of stewardship rather than spectacle, holding space for those silenced or unheard within regimes of control.
Zainab Aliyu, in AncestryandMe: DNA Processing Kit, challenges the commodification of identity and lineage through AI-driven DNA tracing. Instead of extraction, the project opens a critical and introspective publications that counter biometric surveillance and offer tools for communities to reclaim their narratives.
Since 2020, Dreaming Beyond AI has invited people to imagine wildly, to radically fantasize, and to dream beyond oppressive structures that thrive on exhaustion and despair. We believe that while much needs to be dismantled, we must never stop creating space for what we want to nurture: the worlds we are investing in and the futures we are building together.
This residency has allowed for these collective reflections to journey around what it takes to build meaningful coalitions—holding onto shared visions, recognizing different positionalities and backgrounds, practicing conflict resolution, and creating loving but accountable processes. At the core lies a politics of care: ensuring that everyone feels safe, seen, and supported through intentional hospitality, active listening, thoughtful logistics, and everyday gestures of tenderness.
For example, for the in-person time of the residency, each residents, mentors and team member received a curated gift bag including a book, fidget toy, notebook, pen, a yoga mat and DBAI shirt.
We made sure to provide a spacious schedule that doesn’t just schedule working sessions, but also nature walks, time off, crafting sessions, somatic workshops and open conversations around evolving needs.
Of course, residencies also mean navigating uncertainty. In all transparency, we had to deal with last-minute venue shifts, a mentor stepping back, collective cooking and cleaning, adjusting the schedule daily based on energy levels and changing priorities – we’ve had to adapt constantly. These experiences remind us that flexibility, creativity, and care are vital skills not only for hosting residencies but also for coalition-building in times of rapid technological change.
We are writing this as the residency is coming to close - our public presentation is planned for September 17th - and we want to express our deepest gratitude to every individual who made this residency a reality:
Ulla Heinrich - our wonderful producer who puts heart, guts, mind and soooo much love into making things happen. You literally carried so much on your shoulders and made this residency unbelievably smoother and more joyful. Thank you for the early morning and late nights, the royal logistics management, the delicious cooking and the never-ending jokes even when exhaustion was hitting. A million thank you, we love you!!
Clemens Wildt from ifa - you’ve been such wonderful bridge-creator and partner in creative shenanigans. Braving all the instituional hurdles to always finding ways around, above and beyond. We’re grateful for your never-ending support, for holding us accountable lovingly and allowing us to making our dreams a tangible reality.
The residents - we thank you for navigating the changes from the original plan and for showing up for theme exploration, difficult conversations, birthday celebrations, collective meals and sharing so much around your practice and visions.
The mentors - we could not be more grateful to have three brilliant humans as mentoring figures for the residents, and such fabulous support for us. You made the most amazing team together and we are in awe of your solution-oriented energy and deep understanding and flexibility during this process. Words lack to express how fundamental your input, intention and practices have been to the development and nurturing of this residency, but for now, an immense thank you and manifesting abundant blessings!
Laurence Meyer from Weaving Liberation - your comradeship has been precious to us and we’re so happy that you accepted to come share the journey of building Weaving Liberation with our residents and mentors, as you embody so many key practices of coalition-buidling, tech justce and Black feminist values.
Louise Hisayasu from Tactical Tech - the divine timing has meant that we were able to have you in-person with us to get to know the fantastic work of Tactical Tech and we’re so thankful! You’ve consistently met us with lots of care, thoughtfulness and friendship, we look forward to continue being in community and uplift each other. Big thanks for your time and meaningful presence!
Malen Iturri Morilla, Artist & Somatic practitioner - having a 3 hours somatic workshop was a very needed pause during the in-person time in Barcelona and you carried us with such intention, love and grace. Forever grateful for your presence, gift and the calm you invited in our hearts.
Mar Escarrabill from Canòdrom - we appreciate your patience in organising our Barcelona meet-up that was closing the in-person part of the residency. Thank you for hosting us and creating space for the work of our residents’ to be celebrated.
The residents of Arts- Santa Monica - we’ve so greatly inspired by the way you and the “Monicas” engage your research practice wihin the neighborhood of El Raval/Rambla, how intentionally connected you are with the neighbours’ realities and the care and love that is embeded within the residency program. Massive thank you for taking the time to show us around the space, including the CITISSIMUM ALTISSIMUM FORTISSIMUM exhibition and your studio.
The curators from CCCB - going through the history and background of a such an iconic Art space of Barcelona felt like a real treat! We were super happy to be granted so much time and knowledge around the gorgeous exhibition Amazonia - El futuro ancestral that was there at that time and it was a highlight of our time. ¡ Muchissimas gracias!
Lupe Garcia from Goethe Institut Barcelona - your joyful energy is contagious and your support to navigate the city smoothly was so precious, thank you for hanging out with us and making yourself so warmly available to all of us.
And all the loving babes, friends and loves within the Dreaming Beyond AI community who nurture comradeship and friendship with us - we love you and appreciate you immensely! Thank you for making our work and dreams make sense.
Let’s keep dreaming beyond and be ungovernable together <3
About
How do we organize in a world where digital infrastructures are shaped by violence? How do we build coalitions when algorithmic systems fragment our realities? How do we continue to dream beyond AI?
Coalition Building in Times of AI is the second residency hosted by Dreaming Beyond AI, a collective platform reimagining technological realities through art, critical care and community-organising. In 2025, we brought together four artist-activists, three mentors, and our organizing team for a four-month journey (ten days in person in Barcelona, and ongoing digital exchanges before and after).
This year’s edition focused on coalition-building asboth method and goal. In a time of increasing techno-fascism, AI-generated erasure, algorithmic surveillance, and shrinking space for resistance, we came together to explore what solidarity looks like across disciplines, struggles and contexts.
For us, coalition-building means many things:
Sharing tools for organizing against AI violence
Nurturing spaces of refusal and resistance
Creating languages and rituals for collective care
Practicing conflict resolution and accountability
Centering digital comradeship and in-person joy
And never stopping to imagine softer, liberated realities
We worked with an exceptional group of mentors whose presence shaped the tone and depth of the residency:
Xin Xin, whose software-based work explores collective relations and digital intimacy; Anasuya Sengupta, co-founder of Whose Knowledge?, whose long-term work centers marginalized knowledges and intersectional justice; allapopp, a transmedia artist from Tatarstan, working at the intersection of performance, tech, queerness and post-Soviet migrant realities.
The residentsZainab Aliyu, Maithu Bùi, Mac Andre Arboleda and biarritzzz brought distinct research questions, lived experiences, and creative vocabularies. Over the course of the residency, they engaged with themes of techno-fascism, fragmented memory, digital sickness, speculative language, and more.
Together, we navigated not only questions of resistance and possibility, but also mindset shifts, misalignments, communication frictions, and the inherent tensions of working in coalition. The process, like the politics it interrogated, was layered, imperfect, and grounded in reality. The residency gave space to experiment, sometimes clumsily, sometimes collectively, with what it means to share tools, time, and contradictions in a moment of urgent (digital) struggle. What emerged was a set of artistic and discursive proposals that speak to broader movements: resisting surveillance, archiving care, imagining otherwise.
This residency was developed in collaboration with ifa – Institut für Auslandsbeziehungen, with additional support from the Goethe-Institut Barcelona.